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billgerat
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Use your VCR while you can - you may not be able to in the future

Industry Plans to Restrict Use of HDTV Broadcasts, Harming Innovation


Will Hollywood's concerns about digital TV lead to a "voluntary consensus" -- or legislation -- to restrict home taping of free over-the-air TV broadcasts? Since digital TV is slated to obsolete analog TV broadcasts, this question could be very significant indeed. A recent organized effort to take control of home taping technology is bad for consumers; its proponents hope consumers won't notice. But its effects could be felt beyond hope taping, limiting innovation in new high-end digital video technology, wireless home networks, digital displays, and more. This project is the latest piece of a broad effort by copyright holders to attain perfect control over every use of a copyrighted work, even within a private home.


New high-definition digital TVs have been inching their way into U.S. markets. But in the name of speeding up their deployment, a group of entertainment and electronics companies are pushing a scheme to severely curtail home recording of free over-the-air broadcasts in this format. To work, it will have to be backed up by the government -- with a ban or regulations on "non-compliant" digital devices.

The companies, led by the major motion picture studios and electronics manufacturers Intel, Hitachi, Matsushita, Sony, and Toshiba, have been in negotiations since November. They've formed a consortium known as the Broadcast Protection Discussion Group (BPDG), which operates within a larger structure called the Copy Protection Technical Working Group (CPTWG). CPTWG has been meeting for several years, and discusses a wide variety of technologies which attempt to control copying and playback of digital media. BPDG was formed in November and chartered just this week as a sub-group within CPTWG.

Digital HDTV television content, which can provide much sharper pictures and higher quality than older analog TV systems, can be delivered in many ways -- on media like DVDs, via satellite dish, through a digital cable system, over the Internet, or in an over-the-air broadcast. (BPDG is chartered to work on only the last method.) A standard called ATSC replaces the older NTSC video standards; the FCC has already begun allocating frequencies from the broadcast spectrum to digital stations, digital ATSC broadcasts are underway, and ultimately (according to plan) analog TV will become a thing of the past. All over-the-air broadcasts are expected to go digital over the next few years (though lingering doubts about the timetable persist).

One might imagine that hardware like the VCR would be updated to work seamlessly with the new digital standards. One might also expect that new technologies, like home wireless networks, might build on the capabilities of the VCR. But Hollywood isn't so sure it likes these prospects.

Proponents of BPDG's approach point out that there are no digital VCRs in the consumer market today -- so, allegedly, consumers won't miss what they've never had. If new digital VCRs (which could record onto magnetic tapes, or perhaps onto optical media such as writable DVD discs), never became available, some entertainment industry lawyers would lose little sleep. After all, they fought the introduction of the original analog VCR when it was first introduced; Motion Picture Association of America president Jack Valenti insisted the technology would be the death of the movie industry. In a protracted court battle called Universal v. Sony, the industry tried to keep home recorders off the market; in 1984, the Supreme Court decided consumers would have the right to buy Betamax units.

Although there are no DTV VCRs on the consumer market today, there are a small number of DTV personal video recorders (PVRs), the latest entries in a product category pioneered by TiVo. But, in general, PVRs don't allow recording onto removable media, as a VCR does; this means that you can't take your recorded programs to a friend's house, or make a copy for your kids. Nor do PVRs usually allow excerpting -- and they usally have a fixed storage capacity. Therefore, while they are an innovative product category, they have not yet delivered to consumers the full promise of digital video.

Smaller video equipment companies are split in their reactions to entertainment industry demands. Some makers of PVRs, as well as some manufacturers of TV tuner cards for personal computers (which can allow PCs to receive DTV directly), living in fear of litigation from Hollywood, are intentionally limiting the capabilities of these products by incorporating "rights management" restrictions. Only a few hardy manufacturers have continued to sell ordinary full-featured tuner cards, which can turn a computer into a digital television, PVR, and VCR in one.

BPDG participants assume this latter category of products must be driven from the market and replaced with "protected" versions with limited ability to record shows transmitted over the air in DTV format. How can this be accomplished, if consumers prefer the unrestricted versions? (No law currently prohibits manufacturers from producing VCRs and PVRs which can handle DTV. From one perspective, restrictions in this area would only hurt the already-slow deployment of the new format. Movie studios, by contrast, maintain that they will withhold popular movies from HDTV formats until their demands are met.) Currently, BPDG is looking for a consensus among "affected industries" -- movie studios, consumer electronics vendors, and computer companies. Of course, two "affected parties" have been left out of this consensus: consumers and smaller innovative electronics companies.

BPDG is postponing all discussion of "enforcement issues" and concentrating on technical standards, for the moment. But these issues will have to be dealt with eventually, particularly if manufacturers left out of the process choose not to sign on. Ultimately, according to proponent Andy Setos of Fox, it will be necessary to seek legislation or regulations mandating compliance with BPDG's specifications -- and banning the sale of new devices which, like most of today's DTV hardware, do not limit recording of broadcasts.

Currently, the group is contemplating a proposal devised by Fox, in which a broadcaster can insert a flag into a particular program to indicate that it must not be "retransmitted" (including recording onto removable media). The group's charter calls for development of an elaborate specification to ensure that "compliant" products won't make VCR-like recordings of such content, nor permit it to be shared with "noncompliant" devices.

The movie studios argue that these restrictions are necessary because digital television prevents an unprecedented threat of unauthorized copying -- first, because it is of exceptionally high quality, and second, because it's much easier to make copies of digital media (like CDs) than of analog media (like VHS tapes).

But we've heard this sort of reasoning from the entertainment industry before -- notably during the Universal v. Sony litigation over the original analog VCR. In that lawsuit, movie studios insisted that the VCR would devastate their industry, by enabling unbridled illegal copying. On the strength of these concerns, they called for a right to limit the abilities of VCRs to make copies; that effort was rejected by the Supreme Court, which noted the public's interest in making copies at home, even without the approval of the studios. Copyright law, according to the U.S. Constitution, is meant as a careful balance "to promote the Progress of Science and the useful Arts"; therefore, we should be careful not to sacrifice consumers' interests and innovation.

Some of the rights management technologies presented at CPTWG contemplate a world where copyright means "perfect control", not only over whether works are copied, but even over when, where, and how they are used. In that world, technology will guarantee that a copyright holder's wishes are law. The BPDG's proposals regarding HDTV are a first step on that path. Though narrower, they still imply substantial limitations on consumer technology to accomodate movie-makers' unsubstantiated fears.

Had Congress and the courts capitulated to similar copyright-holder demands in the past, music publishers would have kept MP3 players off the market, broadcasters would have blocked the VCR and the TiVo, and book publishers would have suppressed the photocopier. Certainly, we might have seen some version of each of these technologies -- but only subject to "compliance and robustness rules" that impaired competition and restrict legitimate consumer activities. This latest version of piracy anxiety should not be permitted to block technological innovation and features that consumers want, nor to leave existing technologies like the VCR behind as media formats evolve.

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Old Post 01-18-2002 02:37 PM
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Smug Git
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I would guess that their ability to control copyright on digital media is not going to be sufficient however they persuade the courts (and you would have thought that the previous prededent was still good). Additionally, I don't see the rest of the world following suit, in which case there will always be stuff available on the internerd anyway, much as is the case for mp3, although you wil be limited to viewing it on your computer if there are hardware restrictions on allowable players.

I can't see that the government would that keen on something that is going to be so incredibly unpopular with the electorate, either.

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Old Post 01-18-2002 03:03 PM
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Spooky
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I can tell you now that this kind of restriction exists.

I have digital tv and pay perview with it. If I watch a movie and try to record it the movie freezes after 6 minutes (the point at which they charge me for the film).

I have no idea how this works. I think it has something to do with the set top box knowing that the signal is being split and copied.

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Old Post 01-18-2002 04:41 PM
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Smug Git
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quote:
Originally posted by Spooky
I can tell you now that this kind of restriction exists.

I have digital tv and pay perview with it. If I watch a movie and try to record it the movie freezes after 6 minutes (the point at which they charge me for the film).

I have no idea how this works. I think it has something to do with the set top box knowing that the signal is being split and copied.



I wondered about that too. I imagine that it would be easy enough to crack, for someone who was nerdly enough...

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Old Post 01-18-2002 05:04 PM
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WastedPotential
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when you say the movie "freezes," do you mean on the recording or real-time, on the television?

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Old Post 01-18-2002 05:11 PM
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Spooky
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quote:
Originally posted by WastedPotential
when you say the movie "freezes," do you mean on the recording or real-time, on the television?


the signal to the tv freezes. What usualy happens is that at the 6minute point it flickers black and then back to the movie,. This means you are gonna be charged for it. ie you can have a little free to see if you like it.

If the video is recording the TV freezes.

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Old Post 01-18-2002 05:17 PM
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WastedPotential
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do you still get charged for the movie?

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Old Post 01-18-2002 05:19 PM
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Smug Git
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quote:
Originally posted by WastedPotential
do you still get charged for the movie?


No, you have to watch over 6 minutes to be charged, and it won't let you get that far if you are recording it.

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Old Post 01-18-2002 05:23 PM
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Spooky
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yes you get charged, but when you stop the video it start the movie again from where it froze.

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Old Post 01-18-2002 05:26 PM
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Smug Git
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quote:
Originally posted by Spooky
yes you get charged, but when you stop the video it start the movie again from where it froze.


Ah, I thought that if you started with it on, it just wouldn't progress past the 6 minute mark.

Shows how much I know, eh?

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Old Post 01-18-2002 05:38 PM
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WastedPotential
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that is odd that the cable box would be able to sense that something was being recorded. I don't think i've ever heard anything about VCRs sending signals back up the line. the only thing i can picture is if the signal switches over to macrovision at the six minute point, which would screw up any tape recording, but it shouldn't affect the output to the tv or somehow notify the cable box.

back to the original post, i'm a little upset that the broadcasters can restrict usage of their signal that is carried over publicly owned spectra (spectrums? whatever the pl is). the notion that i can be bombarded with 1's and 0's flying through the air and not even make a recording of what they're hitting me with seems unfair.

happy fun links:
answers about FCC involvement with content protection
info about corporate cartels phasing out product features that allow fair-use copying

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Old Post 01-18-2002 05:44 PM
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morgana
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i wonder if this will also happen with the new recordable dvd players they are making now. i'm sure that someone will make hack chip for your satellite box. hell, they have those cards now that you can buy almost anywhere that give you unlimited access to your satellite provider. i'm sure it's just one more simple step to bypass the restriction.

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Old Post 01-18-2002 06:06 PM
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Spooky
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quote:
Originally posted by WastedPotential
that is odd that the cable box would be able to sense that something was being recorded.


well I thought this too, but somehow it knows. The digital comes down copper btw, but is scart to the TV directly. I then use the coax to the video input and then output to another tv in the house. ie the video plays in the bedroom not the living room. I'm not sure if this is the reason it happens or not. But the way I see it, something must happen to the signal in the process of going throiugha recording unit. The best analogy I can give would be that there is some sort of error checking on the line like CRCs. Wehn they change the system freezes the signal.

Remeber btw that this is digital not cable. I can do things like press a 'TV' button and get a panel that shows the TV Guide for that channel, if I go left and right I get the now and next for the other channels. I also have a 'red' button that allows me to watch in interactive mode where the channel provider has interactive contect etc etc. In essence my digital box is a kind of internet appliance. I am allowed to get internet down it (like Web TV) whoch means it must at some time be using IP and so the error checking kind of things come into play. But like I say, I dont really know how it works and can only really theorise about what happens.

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Old Post 01-18-2002 08:48 PM
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