Paint CHiPs
Viva Le Me
Registered: Jul 2000
Location: Location Location
Posts: 26383 |
As much as I hate to say it, as I have a huge affinity for Kerouac's scene, he was pretty much a one-shot author. On the Road. The rest is shit. But, that was one hell of a one-shot. You could very easily make the case for it being the Great American Novel. Reading some of his other stuff, one almost gets the sense that On the Road came together as nearly perfectly as it did almost entirely by accident. It's like how a mediocre experimental jazz improv guy somehow, during one recorded set, just hits the perfect rythm for that very moment, perfectly captured.
Maggie Cassidy is indicative of his work. Dharma Bums is probably his second best, and it's not very good. Desolation Angels, now that I think of it, was pretty good too. Jack Kerouac is famous not because he was a consisently good author. It was the scene he was part of, and On the Road. You can ignore pretty much everything else.
Try Ken Kesey and Tom Wolfe if you want to get a taste of the scene, but not have to sludge through Kerouac's stuff.
Ginsberg was the genius of the bunch. Kesey and Buroughs the best authors. Wolfe the best at chronicling the whole mess. And Cassady and Kerouac were the energy behind it. That's kind of how I catalog in my head the whole beat scene.
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Last edited by Paint CHiPs on 11-04-2004 at 11:44 AM
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